Field of view

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I caught a glimpse of this old machine in a field northeast of town while poking around the back roads on my dual-sport Kawasaki this weekend.  What’s nice is not only the fact that it enjoys a spot in the middle of a mowed field, but also that I had a great sky behind it and the land wasn’t fenced or posted.  I was free to scope out the angle I wanted, so of course I chose more than one.

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I think I got it all in this shot: the machine, a hay bale or two for good measure, and the two trees for a little bit of symmetry. I marked this location in my GPS because there are some other good photo finds nearby, then put my helmet on and continued my adventure.  I found a few things over the course of my 58-mile ride along the back roads, and as I process them I’ll be posting them here.

On a slant

No, it’s not at Fort Abraham Lincoln. Yes, it truly is on a slant. The remains of this farmstead are cleverly tucked beneath the boughs of this tree along Highway 1806, just south of Mandan. Who knows…maybe that mighty tree was a mere sapling while the home was built and occupied.

That’s one thing that makes these “Fallen Farms” so appealing to my eye that they merit their own category on this blog. The fact that these structures were new at one time, were home at one time, and were abandoned at one time is fascinating to ponder. Their presence dotting the landscape of rural North Dakota is both sad and charming at the same time.

Home on the Range…the High Dynamic Range, that is

I captured this Fallen Farm on an overcast day southwest of Mandan. By snapping multiple exposures I was able to capture a bright exposure, a medium exposure, and a dark exposure of the same frame. That allowed the camera to acquire detail in the shadows of the dark house, the highlights of the sky, and everything in between. Then it was up to Photoshop to smack ’em together.

I’ve been slow to dabble in HDR (High Dynamic Range) photography because I have seen so many examples of it done badly. HDR can be used to do some really cool, artistic things if you like…but in my opinion its best use is in capturing detail throughout a wide range of shadows and highlights (thus, high dynamic range). When I find a shot that works well with HDR to do so, then I play around with it.

This technique can also be used to make some artistic but not very appealing (to me, this is subjective) images. I’m more interested in the hyper-realistic qualities of HDR imagery, and a very few, well-planned shots lend themselves well to this technique. It sure is fun, though, when you come across such an opportunity. I hope to find more of these in the future and, of course, share them here.

All the angles

How many crooked things can you find in this photo? No, there are no politicians hiding in the background!

It’s sad to chart the progress of dilapidation in many of my more prized photo spots. I’ve always had a fondness for the “Fallen Farms” series of photos (see the Categories list on the right), and many of my favorite subjects are in various stages of leaning and even collapse.

That’s one of many reasons why it’s important to document these structures: not just for artistic value, but because they may not remain for long. It’s noteworthy to observe what happens to a house, even a relatively recent construction, when it becomes uninhabited. It’s as if the former residents took something intangible with them, something that kept the structure intact by their indwelling. As many of these structures collapse and disappear, they take something intangible away from the North Dakota landscape as well.

23,000 and we’ve got another man down, Dude


While perusing a road along Highway 3 a couple of weekends ago I spotted what I deem a tragedy: the head of an old windmill lying battered and broken in the grass. As you may have deduced by now, I have a soft spot for these old windmills…and when I see the wreckage of one I consider it a loss, both historically and photographically.

This particular windmill had company; there was plenty of old machinery and other interesting stuff lying about, and I was able to peruse much of it with my camera while staying on my side of the fence (and No Trespassing signs). Some of them are going to be a lot of fun to play with in Photoshop, so they’ll have to wait to be posted until later.

Oh, I almost forgot: the reason I mention the number 23,000 in this post’s title is because the first photo above is the 23,000th photo I’ve taken with my Canon 7D. Still less than half of what I have taken with my other camera. No worries…we’ll get there eventually, but of course by that time the other Canon will have left 57,000 in the dust as well!

Broken connection #7

These short little utility poles, or what’s left of them, occupy an overgrown field near the site of a long-gone farmstead in Kidder County. I found myself wandering the section lines, shore lines, and gravel roads on and around a friend’s property after my plans to visit Cavalier Air Force Station fell through at the last minute.

This was a weekend of worry, answered prayer, joy, and some much needed roaming. I had an extremely fruitful photo trip on Saturday, allowing me to clear my head and stuff some nice images into my camera. I’ll be posting them here over the next few days. Here’s to a glorious week!

Oh, and belated Happy Birthdays to Sammy Hagar and former KFYR-TV meteorologist Mike McVay!

Rainy day redux

Last weekend I took quite the soggy (and muddy) road trip with my cameras. While I did the majority of my shooting southwest of Mandan, I actually began north of Wilton. You may recognize this (especially if you’re a photographer) as a familiar old barn north of Wilton a few miles on Highway 83. Sadly, it has now collapsed. It was intact enough, however, to grant me this really nice shot – the streaks of falling rain are more apparent in front of the opening on the full sized version. It may not even look collapsed at all, if you’re not familiar with this structure.

Here’s how it looked just a short while ago. Notice the stone addition on its east side, which is now completely collapsed and gone. While the barn looks intact, it’s actually several feet shorter. Bummer. As you can see, it’s a very photogenic piece of work, and I’m sure it attracts lots of photographers. I for one continue to visit it from time to time and document its eventual demise. In some ways it seems to get even more photogenic with age.

I don’t know what it is, but I wouldn’t want my finger stuck in it

North Dakota has some characteristic features dotted across its varied landscape, and aside from my favorite windmills and wellheads I have to admit I have a soft spot for old farm equipment. This particular piece looks pretty wild, with chains and gears and levers and pullies and stuff like that. Note the absence of safety guards on everything… that was a different era. Nowadays there are plenty of people who wouldn’t go near something like this without a tetanus shot!

Broken connection #6

Looks like the end of an era along this stretch of road near Regan. These wires have actually been disconnected for a while, but this is the best opportunity I have had to stop and get the right photo of them. The sun, sky, and green fields were all in perfect form for this shot, and I was there on one of the motorcycles with a camera to take advantage of the good fortune!

Here’s one for you: even those these lines have clearly been in place long enough to perform their intended service to the point of becoming obsolete, there are still federal subsidy programs in place from the 1930s to provide telephone and electric connections to rural areas. Once a federal program like that comes to life, look out: you’re probably going to pay for it forever.

We’ve got a man down, Dude

So there I was, working this abandoned farmstead with my camera along with my good friend Ken…when I noticed something right in front of me that had escaped my attention the entire time I’d been there: a windmill. You’d think that, with my penchant for photographing old windmills, it would have been the first thing I’d have found; however, this one was lying face-up in the grass at least a hundred feet from where one would expect to find it.

It would be interesting to find out the story behind this…the absence of twisted metal leads one to believe it was removed and not torn asunder by the prairie wind. It wasn’t talking, but I’m glad it did manage somehow to attract my gaze so I could try a few angles for my “Fallen Farms” series.