Test Drive Thursday

Thursday I was able to hang out with my friend Ken for a while and enjoy a brief photography trip. The cherry on top is that Ken let me test drive his new Canon 7D digital camera, the very one I hope to get later this Spring! Needless to say, I was very excited.

We set our sights on this barn north of Wilton and arrived just before the sun began to set. That gave us some pretty nice “Golden Hour” sunlight despite the clouds encroaching on the horizon.

I was absolutely blown away by the image quality of this camera. The fleeting sunlight didn’t allow me time to play around with the camera settings much except for the usual exposure, shutter speed, ISO, and aperture. I was amazed at the photos this camera was producing.

The colors and dynamic range of the 7D are phenomenal, and I was able to take low-light shots that would send my 20D packing. I love my 20D, but cameras have obviously come a long ways since 2005!

Naturally, having a photogenic test subject doesn’t hurt. Combine that with the onset of color from the imminent sunset, and you have an ideal circumstance for running a camera through its paces.

Can you tell it was shady here? Is it apparent that I used a blast from my fill flash? I didn’t think so. I was flabbergasted by the results I got here; it was a photo I didn’t think was possible, yet it came out very nicely.

I shot these in JPEG mode, not camera RAW, so there isn’t much I could do in post-processing. That means that the photos you see here have very little adjustment to them, if any. This shot was taken after the sun was going down. It had a little bit of a blue tone to it due to the shade, and I warmed it up a little. The exposure, however, does not indicate how dark and shady it was when I clicked the shutter.

On the way home we stopped to catch this windmill with a splash of color behind it. I switched the lens over to my 20D and shot this with the same settings, and none of the color appeared. The shadows were much darker as well. That’s the big difference (aside from features) between the two cameras: I can make some amazing photos with my 20D, but in many situations I have to do a lot more processing to bring out the color and detail that the camera has captured. It doesn’t hurt that I just upgraded my Photoshop!

I love my 20D and will never set it aside. Since I bought it in 2005 and started this blog a while later, Canon has released a 30D. Then a 40D. Then a 50D. Each time I looked at ’em and could not declare them a significant enough upgrade for me to spend that kind of money (which I don’t have, by the way). Then came the 7D. Now I’m ready. With a little blessing to make the money part come together, I will be expanding my digital capabilities!

The 20D will still be in my camera bag as a backup, though. I love it. It’s been faithful and trouble-free for almost 55,000 photos so far and it’s got plenty left in it.

It’s a matter of perspective, really

I spotted this unique moon last night, actually. It was even more of a sliver than it is tonight, since it’s waxing from a recent new moon. What caught my eye is that the crescent appears completely horizontal, something I don’t remember seeing before. I knew I wanted a photo last night but I had two little toddlers to take home after our swimming excursion. No worries, I thought…I’ve got tomorrow night. Well, tomorrow became tonight, and it brought with it some challenges.

That’s an actual photo up there, folks. I did not cut out the moon and paste it next to the capitol, nor did I enlarge it in any way. Thus the title of this post, and the challenge I faced in chasing this shot.

First, I needed a prominent foreground object to showcase this moon. What better object than the capitol? That’s what I thought, although that presents its own challenges. Read on…

Second, I needed to get far enough away from my foreground object. Why? So it would appear small, and thus make the moon look relatively large. I can’t vary my distance from the moon to any significant degree, but a little bit makes a BIG difference with the foreground object, even one as large as the capitol. But with distance, my challenge was compounded. Why?

Third, I needed to be able to get a clear shot of the capitol from just the right position to get the moon next to it. Think that’s easy? Not hardly. I needed high ground, and even a few dozen yards makes a big difference in the perspective.

Fourth, I had to find this magic location at just the right time to catch the moon approaching the capitol. I didn’t want it above the capitol, nor did I want it directly beside it. I knew I didn’t want to Photoshop it, either…so I had to get it all right.

That’s why it was such a fun and stressful challenge to get this shot. I had to triangulate relative distance, position, and time for things to work out. This shot is the result of standing on a freezing sidewalk, shooting between two houses and just past/through a small tree. It worked. I was able to catch this unique sliver of moon next to our cities’ most prominent landmark, and I was able to do it without any digital trickery. Then it was a quick grocery errand for my lovely wife, and back here to share the photo with y’all.

I already took my coolest photo of 2010

I saw the ice crystals in the air forming spires of light as I went to church tonight. I know these things are fleeting, so I was grumbling quite a bit as I went to church instead of on a photo jaunt. Sure enough, they had disappeared by the time we got out of church and drove home.

I was sitting in the rocking chair with my two little boys on my lap, telling them an extemporaneous story about The Little Motorcycle and His Big Race, so I missed a call from my buddy MGK. A check of his voicemail later told me all I needed to know: the light spikes were BACK.

I ventured out, thinking I’d head toward Hillside Park. Then I saw that the spikes were jutting skyward in the west! No matter; I whipped the truck around and headed toward the river. When I got there – you guessed it – not a spike of light in sight!

Patience is not among my few virtues, and I gave up at this point; however, I saw some light spikes to the south and thought perhaps I should pull a wait-n-see. The steam above the river was slowly drifting northward, so perhaps the ice crystals and their lovely light artifacts would soon follow! As a matter of fact, they did.

Not only do I have a great little spot marked out for this shot, but it’s also got ground underneath the snow instead of a churning Missouri River! As the spikes formed, I heard a train coming from the east. Perfect. I held the shutter release down for about thirty seconds before the train arrived, and for a total of 96 seconds as it rolled past. Bingo. I didn’t even get too cold!

This is my favorite photo not just because I had a cool location out on the ice and froze accordingly despite my winter weather gear, but also because of all the little features therein That’s why I decided to upload a larger version. In fact, it’s so big that you will probably have to click on it AGAIN in your browser so it displays full size. If you have a little magnifying-glass cursor when you roll over the photo, click it to zoom in. Check out these details:

– The steam above the river. On the left side of the photo, the light streams through the trees and hits the steam. Very cool.

– The train. I started my exposure before it got to the bridge so that it would “ghost” into the photo, being semi-transparent. Its headlight also illuminated the bridge beams in front of it.

– The refinery. The giant plumes of steam from the Tesoro plant are drifting northeastward, forming a nice pillowy look due to the long exposure.

– The snow on the river. I’m standing just at the point where the ice starts to turn to slush, on the ragged edge of safety. There’s a thick blanket of snow out on the river, so if you are not familiar with the shoreline in this area it’s a good idea to NOT try coming out here.

– The stars. I had a perfectly clear night, and the brightest of stars didn’t disappoint. They made a grand appearance in this picture, streaking ever so slightly because of the duration of the exposure.

There you have it…so many things came together in this scene, things that were beyond my control. I’m just the lucky sap who was there at the right place at the right time, shutter release in hand, to capture it. Moments like this don’t come along easily and, while I had the presence of mind to wait for it, they don’t always pan out like this one. That’s why I suspect I may have already captured my best photo of the year.

Fun with light en route to Mandan last night

I was on my way (or “10-76”, as I was once required to say) to Mandan to wrap up some business last night when I noticed a very neat phenomenon on the bridge. The air was quite hazy and the snow was flying, and the lights on the new Memorial Bridge caused a sharp line of light next to the bridge on the north side. It was such a sharp-edged beam of light that one could drive right up to it! Really cool.

Having accomplished what I needed to in Mandan, I came back and took a few minutes to see how my camera would react to the light. Since I needed to do a long exposure anyway, I decided to hold the shutter open long enough to make the taillights of passing cars streak across the frame. I experimented with the settings a bit to make sure I got the blazing beam of light on the bridge’s north edge, the taillights, and the other regions of the picture all exposed the way I wanted to. Fun!

A little experiment on the way home tonight

I decided to stop and play a little bit with my camera on the way home today. I was working pretty hard on an animation that had me really tired of staring at my monitors, so it was nice to get out in the brisk December air and click the shutter a few times. Okay, well…a LOT of times. This timelapse of downtown Bismarck is the result. It’s short but pretty neat. After all, it was pretty cold out there. At approximately 30 frames per second, it can take a lot of pictures to make even a brief time lapse happen.

One way to clean your camera…

Just shoot in a class 10,000 clean room! A nice person in a sealed white suit will take your camera and clean its exterior so it doesn’t contaminate the room, while someone else helps you into your fancy white suit. Then, once nobody presents a threat of sprinkling dust and hair all over the place, in we go. Then you’ve got a nice, clean camera to use for taking photos of microchips and the like.

element: motion

I took one of my little two-year-olds to the lovely Bismarck Municipal Airport to look at airplanes and ride the escalators. Since he was having such a blast going up and down, up and down, up and down…I decided to have a little fun of my own. I threw on a 10mm lens, set my camera on the floor at the bottom of one of the escalators, set a slow shutter speed, and voila! Fun.

I don’t think you can see it in the first photo, but yes – that balloon I posted about a few days ago is still hugging the ceiling. Here’s the proof. Then I put the camera back in my trusty backpack so I wouldn’t make security nervous, then took little Sparky for a couple more escalator rides.

The way I see it, someone owes us some foliage

This was a wacky year for photographers; we waited patiently for the leaves to being changing in color so we could head out and poke our cameras at ’em, when suddenly they all dropped to the ground. They were still green, too. What’s up with that?

I haven’t had my camera out of the bag since I don’t know when. The past week and a half of family with flu, colds, and whatever else hasn’t helped. Now I’ve got it, yay! I did get to shoot some video outside today at McDowell Dam, and it really helped me feel better (but still sick). Hopefully I can get on the mend for the rest of the week, I hear it’s supposed to be pretty nice out there. Perhaps there’s a chance to take my boys for more motorcycle rides!

View from laying on the sidewalk…not bad

This past weekend I had the idea to take my 10mm wide angle lens and attempt to capture the Veterans’ Memorial, located on the west side of the new bridge, from the lowest point possible: on my back upon the sidewalk. The skies were somewhat dramatic as the sun tried to punch through the morning clouds. Not bad, I thought…not bad.

Then came the blue skies, and I was out & about anyway, so I figured it was worth it to take another hike up the curved sidewalk and try again, this time with some bright blue skies, the brilliant sun, and the lens flares it brings. Once again…not bad.

Soon the Bismarck side of the bridge will have its memorial completed as well. Then there’s going to be a surprise added to each park! I wonder how many people know what it is. I may have a sneak peek photo tomorrow.

Note the absence of any space stations in this photo

Sometimes I get a bug for a certain photograph and spend my camera opportunities trying to acquire it. While I have plenty of photos of the International Space Station flying over various Bismarck-Mandan landmarks, I wanted another one with the capitol building in the foreground. That has proven quite difficult.

First, we have the night portrayed above. I had bad information; while I had the camera set properly, and managed to get perhaps the sharpest twilight photo of the capitol since I started dabbling in photography, the ISS flew directly over my head (maybe even slightly behind me). Darn.

Last night would have been a perfect night for an ISS capture: it was passing just above the capitol, very brightly, and for several minutes. Then the clouds spoiled it. Grrr.

I already have a photo of the ISS over the capitol; however, I want ANOTHER one. Don’t worry…I’m persistent. It won’t escape. For now, maybe I’ll use a more flexible foreground object like a windmill or something.